'Dehumanization in A Good Man is Hard to Find'

'Flannery OConnor was cognize for her Southern knightly taletelling, and her story A Good earthly concern is Hard to risk  is no exception. The story is set in the 1950s during a mordant period of American history when Jim jubilate laws go on to discriminate citizens. Although not the main focus, OConnors destination to pickaninnies in the text reveals the port mainstream popular cultivation disseminated vile stereotypes that besides dehumanized grim children by backwash them through a marvelous lens. The grotesque manner in which pickaninnies argon draw communicates the style they were considerable viewed in participation during this era.\nThey were viewed as having, protrude eyes, big exit lips, and they speak in a primitive, unimaginative dialect. They argon lots shown stuffing their wide mouths with watermelon or chicken, which they usuall(a)y stole. They are unkempt, suggesting that their parents are neglectful. very often they are shown nude, a take aim of sexualization that is particularly pitiful due to their come along (Caricatures of  African Americans...). The naans intent of the term picaninny, and her continued storytelling drivel, exemplify an unfortunate caricaturization of Southern obscure children. Additionally, although brief, the granny knots observations appear to touch on on of all aspects of what defines a pickaninny during this time period.\nThe grandmother believes she is superior to others and her disdain is clearly conveyed during a family road depart to Florida. Before leaving, the grandmother wanted to restrain sure she was spiffed up in a ladylike output comprised of white cotton fiber gloves, a dark luscious blue stem sailor hat, and a navy blue dress (OConnor 195-96). Her manner was important to her, exclusively belies her true nature, which was revealed during their travels. Her reference to pickaninnies seems to reference the elder Southern way of life, and the flaws in her c haracter. Oh mind at the slick little pickaninny wouldnt that make a picture, now?�... '